Le2024
| Le2024 | |
|---|---|
| BibType | INPROCEEDINGS |
| Key | Le2024 |
| Author(s) | Le Song, Zhegong Shangguan |
| Title | Multimodal Practices to Sustain Multiactivity When Live Streaming |
| Editor(s) | Asreen Rostami, Donald McMillan, Jonathan Hook, Irene Viola, Jun Nishida, Hanuma Teja Maddali, Alexis Clay |
| Tag(s) | EMCA, Live streaming, multiactivity, multimodal practices, video analysis |
| Publisher | Association for Computing Machinery |
| Year | 2024 |
| Language | English |
| City | New York, NY |
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| Pages | 369-374 |
| URL | Link |
| DOI | 10.1145/3639701.3663639 |
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| Howpublished | |
| Book title | IMX'24: Proceedings of the 2024 ACM International Conference on Interactive Media Experiences |
| Chapter | |
Abstract
Live streaming with mobile phones is a common practice where streamers and viewers use various resources for interaction. Based on the method of multimodal conversation analysis, we examine recordings of a clay sculptor's live streams on a Chinese social app. We address how the streamer's dual involvements—doing the sculpture work and responding to viewers’ messages—are achieved moment-by-moment. We will demonstrate how the streamer uses multiple resources, such as language, body torque, facial expressions, eye gaze, phone adjustment, and the “disrupted turn adjacency” feature of viewers’ messages, to achieve multiactivity by holding two intersecting courses of action, and how he may use live streaming to achieve self-exposure, chat, and virtual intimacy during his routine work.
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