Difference between revisions of "Hopper2021"
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|Author(s)=Paul J. Hopper; | |Author(s)=Paul J. Hopper; | ||
|Title=“You turn your back and there’s somebody moving in”. Syntactic anacrusis in spoken English | |Title=“You turn your back and there’s somebody moving in”. Syntactic anacrusis in spoken English | ||
| − | |Tag(s)=EMCA | + | |Tag(s)=EMCA; coordination; anacrustic/anacrusis; emergent grammar; biclausal; construction; boosting; conditional; speech acts; mirativity; style |
|Key=Hopper2021 | |Key=Hopper2021 | ||
| − | |||
|Year=2021 | |Year=2021 | ||
|Language=English | |Language=English | ||
|Journal=Interactional Linguistics | |Journal=Interactional Linguistics | ||
| + | |Volume=1 | ||
| + | |Number=1 | ||
| + | |Pages=64–89 | ||
|URL=https://benjamins.com/catalog/il.20009.hop | |URL=https://benjamins.com/catalog/il.20009.hop | ||
| − | |DOI= | + | |DOI=10.1075/il.20009.hop |
|Abstract=Anacrustic Coordination (AC) is a type of biclausal conjunction such that an initial clause or phrase sets up a state of affairs and is followed by and and a strongly focused second clause, for example three years it’s been sitting here and I haven’t done it. AC figures in a number of kinds of interaction. One is the topic/comment conditional, as in call it up and there’s something that actually says your number. It is a possibility for enhancing certain illocutionary acts such as threats and warnings: I’m gonna take that and I’m gonna dig it into you. It is a basis for syntactic mirativity, the coding of surprise and unexpectedness (DeLancey 1997): you turn your back and there’s somebody moving in. AC raises questions about the nature of constructions and of Construction Grammar. | |Abstract=Anacrustic Coordination (AC) is a type of biclausal conjunction such that an initial clause or phrase sets up a state of affairs and is followed by and and a strongly focused second clause, for example three years it’s been sitting here and I haven’t done it. AC figures in a number of kinds of interaction. One is the topic/comment conditional, as in call it up and there’s something that actually says your number. It is a possibility for enhancing certain illocutionary acts such as threats and warnings: I’m gonna take that and I’m gonna dig it into you. It is a basis for syntactic mirativity, the coding of surprise and unexpectedness (DeLancey 1997): you turn your back and there’s somebody moving in. AC raises questions about the nature of constructions and of Construction Grammar. | ||
}} | }} | ||
Latest revision as of 11:04, 7 July 2021
| Hopper2021 | |
|---|---|
| BibType | ARTICLE |
| Key | Hopper2021 |
| Author(s) | Paul J. Hopper |
| Title | “You turn your back and there’s somebody moving in”. Syntactic anacrusis in spoken English |
| Editor(s) | |
| Tag(s) | EMCA, coordination, anacrustic/anacrusis, emergent grammar, biclausal, construction, boosting, conditional, speech acts, mirativity, style |
| Publisher | |
| Year | 2021 |
| Language | English |
| City | |
| Month | |
| Journal | Interactional Linguistics |
| Volume | 1 |
| Number | 1 |
| Pages | 64–89 |
| URL | Link |
| DOI | 10.1075/il.20009.hop |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
Anacrustic Coordination (AC) is a type of biclausal conjunction such that an initial clause or phrase sets up a state of affairs and is followed by and and a strongly focused second clause, for example three years it’s been sitting here and I haven’t done it. AC figures in a number of kinds of interaction. One is the topic/comment conditional, as in call it up and there’s something that actually says your number. It is a possibility for enhancing certain illocutionary acts such as threats and warnings: I’m gonna take that and I’m gonna dig it into you. It is a basis for syntactic mirativity, the coding of surprise and unexpectedness (DeLancey 1997): you turn your back and there’s somebody moving in. AC raises questions about the nature of constructions and of Construction Grammar.
Notes
